Top Five Hindi Movies of 2008
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Bollywood filmmakers dabbled with many genres and came out with films that resonated with audiences. While most of the 2008 Hindi movies were money spinners, they managed to keep cinephiles entertained. Here are the top five Hindi movies that made the year's best list:
Paan Singh Tomar is a rare biographical film
'Paan Singh Tomar' is a biographical film based on the life of an athlete who became a dacoit after winning the national games. It stars Irrfan Khan as the title role. The film follows the life of the former national-ranking runner, who was forced to rebel against the system. The biopic was a box office success, and was adjudged the best film of the year.
Director Bhushan Dhulia has resurrected the story of a famous athlete who became an outlaw. The movie does not resemble the bandit films popular in Hindi cinema - there are no horses, no longing duets, and no clean-cut logic. The film also stars Brijendra Kala, who gives a good performance as a former dacoit.
'Gold' is another example of a biographical film in Bollywood. It tells the story of hockey player Balbir Singh, who won India's first gold medal at the post-Independence Olympic Games. It stars Akshay Kumar in a different avatar than his usual, but he delivers a great performance as the captain. The film was also an international success for Sushant Singh Rajput.
Rang De Basanti is a film that captures the angst
A foreign director tries to capture the spirit of India's freedom fighters in the heartwarming drama Rang De Basanti. Casting a group of young friends as the main characters, the film starts as a simple encounter, but the tone quickly turns dark after one of the friends is murdered by a corrupt Indian government official. Rang De Basanti is about love for your country and fighting against injustices, and it's an inspiring film that could inspire action in today's political climate.
It's hard to pinpoint which movie is more affecting in terms of social issues, or whether the film is simply a good movie to watch for the angst it generates. In its film, Nawazuddin is outstanding, and he internalises the character with a fierce determination to change the world. The witty script by Nandita Das and Vikramaditya Motwane carries a lot of meaning and makes the film feel relevant today.
Despite the film's start, the second half falls flat and the film's underlying themes are weak and predictable. In a nutshell, Rang De Basanti captures the angst of Hindi movies 2008! If you're looking for a film that evokes the angst of 2008, Rang De Basanti should be on your list.
Soni
Ivan Ayr's feature-length debut is a refreshing departure from the mainstream Indian film. Soni tackles themes such as gender, classism, and the prevalence of violence without resorting to the hammer-and-nail tactics of mainstream Indian films. It premiered in Venice last year and has since toured the MAMI in Mumbai and BFI London. The film is a must-see for anyone who enjoys subdued cinema and a few good performances, but it may not be the film for the Instagram generation.
The film's plot revolves around a policewoman named Soni and her partner Kalpana, a female detective. The two tackle the issue of rape, which has increased by 82 percent in India since the start of the century. However, their friendship suffers a major rift, and Kalpana is forced to step in and intervene. While this may seem like a lot of work for Kalpana, Soni's superior is sympathetic and helps her follow police regulations.
The film starts with a man harassing Soni while on his bicycle. Soni, an undercover cop, is part of a decoy police operation in Delhi, but she's temperamental and goes on to physically assault the cyclist. Her superior, Kalpana, gives her a rebuke. Soni's retaliation angers the crowd. However, Soni proves herself to be a lovable, resourceful character.
Rakyesh Omprakash Mehra's work redefined Indian cinema
A writer-director who is a pioneer of new-age Indian cinema, Rakeysh Omprakash Mehra has cultivated the attitude to take the medium forward. His autobiography, co-authored with Reeta Ramamurthy Gupta, reflects on the evolution of storytelling. His new film, Toofan, will be his first film since he was a child, but it will be his last.
The film is set in the aftermath of the 1982 Asian Games. Mehra's character in the film is like a football referee who frees his partners to dive into their work and look powerful. The film's theme is a struggle between two very different lives that are bound together. A married couple is unhappy with the arrangement and falls in love with each other. The two men become engaged but quickly realize that their arranged marriage is not what they wanted.
Rakeysh Omprakash Mehra' memoir details the highs and lows of working in the ad industry and in the world of commercial filmmaking. The memoir includes a chapter on the evolution of world cinema. Menon, a former foreign secretary of India, traces how the country approached the changing regional landscape. Rakeysh Omprakash Mehra's work redefined Indian cinema
'Parinda'
'Parinda' is a landmark film from director Vidhu Vinod Chopra. It changed the lives of several actors and actresses and marked a new era in Indian cinema. It has been hailed as an iconic film and garnered two National Film Awards. It also won five Filmfare Awards. In 1990, it was chosen as India's official selection for the Best Foreign Language Film Academy Award. Ultimately, the film did not win the Academy Award, but it has been remade many times.
'Parinda' has a rich history, and is one of the most well-known and influential movies in Indian cinema. This film depicts the lives of coal miners and exposes their conditions. It stars Amitabh Bachchan as a coal miner, and also features Shashi, Waheeda Rehman, Rakhee, and Dr. Dang. This movie is based on the novel by the same name, which was first published in 1948, and a Hollywood adaptation was made in 1983.
While Abhay Deol's 'Parinda' is a surprisingly powerful character, the story itself is a mixed bag. An unemployed writer agrees to spy on a minister at his wife's request, and the plot takes a twist that will have you glued to the screen. This smart adaptation and taut script are both crucial in ensuring that the film stays fresh, even as it gets older.
'Jaane Tu... Ya Jaane Na'
'Jaane Tu... Yajaane Na' is a Bollywood film released in 2008. It was the debut film of director Abbas Tyrewala and acting debut of Imran Khan. It won critical acclaim for its fresh take on friendships and where to go next. This film has a lot to offer but is also too predictable and dull.
'Jaane Tu... Yajaane Na' is an engaging romantic comedy that manages to balance a range of emotions while highlighting the characters' arcs. It also has plenty of fun one-liners, a quirky director, and a cast without artifice. While it may not have arthouse value, it's likely to tug at the heartstrings of urban multiplex audiences.
'Udaan'
'Udaan' is a moody, introspective film from the Anurag Kashyap school of cinema. It offers a fresh perspective on teenage angst, something Hindi cinema has largely neglected. Instead of focusing on happy endings, it explores the reality of life, home, and family. In this way, it transcends the formulaic, over-romanticized approach of much of Indian cinema.
After its Cannes premiere, 'Udaan' was a huge hit, receiving a standing ovation from critics and audiences. However, Bollywood masala movies dominated the box office for the next two years, dominating 1000-2500 screens throughout India. In contrast, 'Udaan' opened in only 200 theaters, while most screens were playing forgettable Akshay Kumar movies. However, Udaan is now available on DVD and streaming services.
'Udaan' is based on the book by Hussain Zaidi, which became a sleeper hit. The movie received so much praise that it inspired a remake, which was called 'Kabir Singh'. This remake made the film a hit, earning Anurag Kashyap a big box office jackpot. 'Udaan' is part one of a two-part franchise about the coal mafia in Dhanbad, which has some great actors.
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